Showing posts with label Rilke. Show all posts
Showing posts with label Rilke. Show all posts

Friday, July 08, 2011

Artists I Find, I Love

Attention: This post is a bit lengthy, but worth it.


Rose III by Cy Twombly 2008


XIV

Summer: to be for a few days

the contemporary of roses;

to breathe what floats

around their souls in bloom.

To make of each dying rose

a confidant,

and to survive this sister,

absent in other roses.

from ‘Les Roses’ by Rainer Marie Rilke

Two great artists have moved into the next life in these past two years; Cy Twombly and Louise Bourgois. Both artists I love. I found Cy for the first time 3 yrs ago at the MOMA in NYC. They were showing his 'Four Seasons' and I just stared open mouthed at the beauty and also because I related so much in my own work-working literally with the seasons and beginning to loosen my line. I found him just after I finished 'Spring Flowers' and 'Spring Orchard' paintings. I was so excited because I felt a kinship, his work encouraged me by nudging my soul with "see, see...we share something...we share this life, we share a vision, we share what we see and feel..." At this point you may be wondering why I had not already known about Cy Twombly, simply because I did not go to art school and I did not begin my practice until 2007. I am quite the naive freshy! There is something so wonderful about not knowing...not knowing how I am going to make something, not knowing if its similar to something else, not even always knowing why or what I am making. Although I face many challenges this way; each time I set out on a new project or new canvas I am not distracted by what I know....I am not trying to be different....or be right...it's only me in my own way. Which is enough already.
What I really want to get at is that I believe that as much as I'm finding these artists by chance they are actually calling me and leading me...literally. Last month I had a beautiful and eerie experience with Louise Bourgoise. I had never heard of her before this May. I went to an artist presentation at Bard College. After it was over there was q&a, one of the students remarked that Louise B. had once said she "drew a circle and put all her fear in it, then she drew another and put all her fear in that" I wrote down Louise's name because it reminded me of a Mandela and I was studying Mandela's for a potential creative arts workshop. When I looked up Louise's work I did not see my work in hers, but again I felt a magnetic pull to her. I decided to splurge and order a bunch of books on her history and her work. One of the things I liked most about her was her moving between disciplines to execute her vision, also that she created what I consider "feminine" work. Weeks later I was browsing through my friends Art Forum, and an image grabbed my attention because it resembled what I working on with fabric and quilting and it just drew me to it. It turns out it was Louise's most recent work before she died-called the fabric works. Works that I had never seen before and wasn't like anything else she had previously done. These were fabric drawings she was doing made from her clothing. (Most of her notable works are gigantic marble sculptures and huge metal Spiders) The show was in NYC and Cheim & Read gallery. I went. When I stood in front of the piece that I saw in the magazine, (which was actually part of a larger piece) I felt such an emotional response that I welled up. I was like ; I get it, I get it, I get it..without knowing what I got. I even talked to Louise B, asking her what was she telling me? I know its totally crazy! But it gets crazier. After looking at the work, I asked for the title sheet because there were no titles on the wall. The piece that brought me to tears was titled, "Dawn". (and the cover that said Dawn had its back to the wall, so I hadn't seen it) After this happened I actually had to take a mental time out, because I thought I might be loosing my mind. But here I am again....finding clues and finding myself and finding answers to questions in a recent piece by Cy Twombly-The Rose III. Again, this piece grabbed my attention last night when I was looking through the internet, when I looked at it I saw my name painted in it 'Dawn' and scribbled below was 'Rilke'. This sent me in to a deep google investigation, which lead me to the poem Les Roses by Rilke,(as you know Rilke is one of my highest teachers along with Rumi) This poem inspired the last series of paintings by Cy Twombly. In this poem (see above) Rilke wrote about me and my sister Summer. He also painted this painting 2 months after Summer passed (the season and my sister).....I suppose anyone rationally minded would say its all just a name, a coincidence; but for me as Einstien said: “Logic will get you from A to B. Imagination will take you everywhere.” I want to go everywhere, as the sun graces this earth and reaches every open space each morning .....I am going to everywhere....and Summer, Cy and Louise and many others are lighting my path.
Spring Orchard by Dawn Breeze 2008

Spring Flowers, by Dawn Breeze 2008




Pages from Dawn by Louise Bourgois 2006 ( as seen in the June 2010 Art Forum)


Dawn by Louise Bourgeois 2006


Louise with a rose

Wednesday, January 13, 2010

Golden Blessings

GOLDEN BLESSINGS



Daniel Seward

why are my keys covered in milk?why is my shampoo "for women of color"?where did my new hat go?what is that noise coming from the carrot?
(A small rubber toy carrot)


James Meadows

Son jumps on chest" I gotcha you ...i hug you baby sad...'
(a child safe lock)


Noavakay Knight

Come with me....
(A bouncy ball)


These are a few "Golden Blessings". It is a new project that is interactive and was inspired by a personal experience with heartbreak over black and blue parsnips. Yes, parsnips. I literally was in tears about the poor quality of parsnips offered at Hannaford Market. The disgusting quality of packaged parsnips spoke to me of the larger picture. How little love and care and nurture was given to these "tender n' sweet" (that's what the package said) parsnips. How can we live in a society that doesn't love and nurture what we consume and create. After a mini breakdown in the parking lot....I began to imagine how could I transform this, like alchemy...and I imagined that my tears were turning these parsnips in to little golden blessings. Like a fairy tale. I felt better, even though I had no idea what the blessing would be for?

A few days later I read an amazing passage in my book; 'Love Poems to God' by Rainer Maria Rilke

It said:

'No thing is too small for me to cherish and paint in gold, as if it were an icon that could bless us, though I'll not know who else among us will feel this blessing'

This reading was like reading my own mind, and it vocalized that I didn't need to know what the blessing was for.

So, I began my golden blessing project which is; I find these small discarded items when I walk...and then I match them to a person on Facebook, and sometimes I find the blessing first, and sometimes the person is in my head first that day..and what that person writes as their 'status' at that moment on Facebook becomes what the blessing is for or about. The person has no knowledge of these blessings, (until now).
I am thinking of these little golden blessings as little icons, or little magic things with alchemical properties of love and power to bless....

Along with this, I just made three little paintings that I planted seeds in. They are based on the same inspiration. that nothing is too small to cherish. Each day I will water these paintings, with love and we shall see....they are a bit of a meditation, reminding me of this principle that nothing is too small to cherish.

I am excited buy both of these projects as they both are interactive between me and nature, chance, and time.

The three little "planted" paintings with my eyedropper for watering



These 'planted' paintings are postcard size and the are made with encaustic, lentils, beans, gold leaf, paper towel, and transferred images of Haeckel's radiolarians.
(single cell marine life)